«Art is my Elixir of Life.»


In Novem­ber 1991 I had a vision. It was clear to me that I want­ed to work togeth­er with research in the arts. I am not a sci­en­tist, but my works should arouse the curios­i­ty of young peo­ple and inspire scientists.Margrit Fis­ch­er-Hotz


The first works con­tain many ener­gy fields (see pages 79 — 84). In one of them lies a secret that a researcher will one day clear­ly rec­og­nize and deci­pher. This is for the ben­e­fit of mankind. Lat­er I inte­grat­ed cell struc­tures, bac­te­ria, mito­chon­dria, mol­e­cules etc. into my work. From the lat­est research in med­ical micro­bi­ol­o­gy I weave parts into my paint­ings using mixed media on paper and can­vas. In short, I am fas­ci­nat­ed by the new­ly emerg­ing com­put­er images of the micro- and nano-areas. I am also impressed by the new­ly dis­cov­ered par­ti­cles of quan­tum physics. The nuclear research cen­ter CERN in Gene­va with the par­ti­cle accel­er­a­tor (Large Hadron Col­lid­er LHC), as well as the plan­ets in space.

That’s how it came about that from 2006 I began to study atoms and the uni­verse. The wise words of the Greek philoso­pher Dem­ocri­tus (460 B.C.) became my guid­ing prin­ci­ple: «Noth­ing exists but the atoms and the void» (he did not know at that time that atoms are also divis­i­ble). Guid­ed by his state­ment, my lat­er works for «Many-Worlds» devel­oped. We live in a time in which sci­ence has more weight than ever before. With­out physics, we would not have arti­facts today — think of the world-wide-web, radi­ol­o­gy, our cut­ting-edge med­i­cine, space trav­el and much more. From the research par­ti­cles emerge what we humans will lat­er make of them. With­out sci­ence, we can­not sur­vive.

Some­times I work in the mid­dle of the night, then every­thing is so qui­et and new ideas fly to me. Although in 1957 every­thing had been ini­ti­at­ed for me to enroll in art stud­ies at the Ecole nation­al des beaux-arts, Paris, unfor­tu­nate­ly it did not hap­pen. In the peri­od after the Sec­ond World War, one had to build up and earn mon­ey to sur­vive. I nev­er attend­ed an art acad­e­my. But at a young age I con­tin­ued my edu­ca­tion in cours­es for applied arts. In the Kun­st­giesserei Perseo AG, Men­dri­sio I made bronze sculp­tures. I have also made many exhi­bi­tions in Switzer­land.

Dur­ing the Coro­na Pan­dem­ic I found more than 2000 clovers on my walks — four, five, six and sev­en leaf clovers in fresh green. I pressed them and plan to put them in a show­case at my next exhi­bi­tion so that vis­i­tors can enjoy them. The fol­low­ing two sen­tences from a quo­ta­tion by Karl Jaspers after I have always been straight­ened out read: “The indi­vid­ual is joint­ly respon­si­ble for the whole, through every­thing he does … because he takes part in the events, act­ing in his field …».

Zug, August 2020, Lila, Margrit Fis­ch­er-Hotz